LCS Checks in with Sophie Assencoa
(And she is crushing it!)
Before she ever stepped on a film set, Sophie Assencoa wasn’t sure if a future in filmmaking was even on the table. With no formal film program at her at her alma mater, Coastal Carolina University, and zero on-set experience, she took a leap and applied to Local Cinema Studios’ Get On Set Intiative in 2023. “I didn’t think I’d get accepted,” she says. “But they took a chance on me, and that opportunity truly started everything.”
That first summer on the set of The Grand Strand (a feature film that Local Cinema Studios produced in Myrtle Beach) changed the course of her life. What started as a leap of faith, turned into a passion, and now, a career.
Sophie Assencoa with Hadley Shaffer on set of The Grand Strand (2023). She started as a PA and is now producing projects of her own.
Building a Career Across Mediums
Her career reflects the same energy and versatility that defines her personality. She juggles multiple freelance jobs across the media and production landscape. She currently is working for T.H.E. Show, where she films trade show exhibitors, runs social media, leads a film festival launch, and prepares content for a Roku-bound TV network. She even writes scripts for original skits featuring audio gear and studio tech.
She also produces content for brands and audio equipment companies, creating social videos, shooting promos, and prepping products for camera.
On the film side, Sophie is co-producing a deeply personal and eye-opening documentary titled Code Stroke, which raises awareness about how strokes can affect people of all ages. “It’s about bringing attention to something people don’t talk about enough,” she says. “We’re sharing real stories, from students to athletes, who never thought it could happen to them.”
On the Ground and Behind the Scenes
In Code Stroke, Sophie took on a range of responsibilities, including co-producing, operating the camera, scheduling shoots, and conducting interviews. “I helped apply for grants, filmed interviews, coordinated locations, and just kind of made sure everything got done,” she explains. “It’s been one of the most meaningful projects I’ve worked on.”
Her schedule changes constantly. On some days, she’s working long shifts on set, coordinating communication and troubleshooting wardrobe problems. On others, she’s focused on post-production tasks, reviewing footage, finalizing contracts, and preparing for upcoming shoots. Every day may bring something new, but that’s what she loves about it.
Sophie on set in Albermarle, North Carolina (2023).
Learning the Ropes at LCS
Sophie’s foundation in film was built at Local Cinema Studios where she worked on set for the first time on The Grand Strand. “It was my first time on a set,” she remembers. “I didn’t know what to expect, but being there helped me realize this was something I actually could do.”
The lessons she learned that summer still guide her today. “LCS taught me that it’s okay to ask questions,” she says. “It also showed me how important the crew dynamic is. You have to respect every department. The way you treat people on set can really make or break a production.”
One of her favorite memories is from an overnight shoot when multiple sprinklers unexpectedly went off, sparking laughter, teamwork, and ending with a sunrise walk on the beach. “We were exhausted, but it gave us this wild second wind. That moment felt like a perfect little movie scene.”
One of Sophie’s most influential mentors during her time at LCS was 1st AD Daniel Otero. “He taught me so much and really advocated for me,” she says. “I wasn’t originally supposed to be on every shoot day, but thanks to him, I was brought on more permanently. He gave us real-world advice and took time to explain everything. I wouldn’t be where I am without that support.”
The Hustle After Graduation
Graduating during the height of industry strikes made the job market extra tough. “Production was slowing down everywhere,” she recalls. “Places were closing. Everyone was moving.”
Still, she stayed determined. She networked tirelessly, joined Facebook groups, stayed in touch with former classmates, and took every job, no matter how small, to build her résumé. “You never know who will hire you again,” she says. It all came down to being persistent and persevering through the challenges.
Sophie is proud of the work she’s doing now, especially the television network she’s helping launch. “I never thought I’d be doing this. I’m writing scripts, making skits, and partnering with companies. This opened a door I didn’t know existed.”
What inspires her to keep going? “It’s that feeling when you finally see your name in the credits. Whether you’re a PA or a co-producer, it’s a rush. And if your work helps or inspires someone, that’s even better.”
Sophie’s first week being part of a film crew started with the Get On Set Initiative’s Orientation, where she learned “ how important the crew dynamic is.”
Advice for Future Filmmakers and LCS Students
For current students and aspiring creatives, Sophie’s message is clear: Don’t be afraid. “Apply for the opportunity. Ask the question. Say yes to the job, even if you’ve never done it before. You’ll figure it out.”
And for those thinking about joining a project with LCS? “The experience of working in the industry is both enjoyable and memorable regardless of your future career path. (Get On Set) is like adult summer camp with cameras.”
She also wanted to share one more closing thought.
“Filmmaking has always given me that fun, pit-in-the-stomach feeling. Whether it’s a mystery, a laugh, or just a burst of inspiration, I hope the work I do gives someone else that same feeling. And for me, film is therapy. It’s a way to rewrite your story, to defeat the monsters in your head, or just to share joy. Even if it’s just a hobby, don’t let it go. It’s worth it.”